Not from the accommodation arrangements on ships to India as is commonly claimed. The story goes that the more well-to-do passengers on ships travelling between England and India used to have POSH written against their bookings, standing for 'Port Out, Starboard Home' (indicating the more desirable cabins, on the shady side of the ship). Unfortunately, this story did not make its appearance until the 1930s, by which time the term had already been in use for some twenty years. Added to this, the word does not appear to have been recorded in the form 'P.O.S.H.', which would be expected if it had started life as an abbreviation. ( Source ) A more likely source is the 1890s slang word for a dandy, but there is no agreement about origin.
Showing posts from April, 2012
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A partial shortlist below: Humphrey Bogart Casablanca (1942) "I think this is the beginning of a beautiful friendship" Renee Zellweger Jerry Maguire (1996) "You had me at hello" Clarke Gable Gone with the Wind (1939) "Frankly my dear, I don't give a damn" Arnold Schwarzenegger Terminator II (1992) "Hasta la vista, baby" Gloria Swanson Sunset Boulevard (1950) "I'm ready for my close-up" But what makes these lines so memorable? Researchers at Cornell University think they have 'created a computer program to break down the formula behind some of cinema's most enduring lines'. Hasn't this 'formula' alway been the elusive holy grail for Hollywood? Disney hired top screenwriters for their epic John Carter - only to end up with one of the most expensive flops of all time. In contrast Casablanca was famously chaotic in its development, with actors going into celebrated